
NICK VEASEY
BanXsy Caveat Emptor, Framed LENTICULAR, Various Edition Sizes
Christian Louboutin, Pigalle Follies 1c1s, Framed Chromaluxe, Various Edition Sizes
Gold Rolex Daytona, Framed Chromaluxe, Various Edition Sizes
1972 Porsche 911 Targa, Framed Chromaluxe, Various Edition Sizes
Headdress, Framed Chromaluxe, Various Edition Sizes
1948 Mercury Cowboy - Grey, Framed Chromaluxe, Various Edition Sizes
Chanel No.5 with Love, Framed Chromaluxe, Various Edition Sizes
Bartender, Framed Chromaluxe, 33 x 33 in, Edition of 25
Rat Pack II - Grey, Framed Chromaluxe, Various Edition Sizes
Land Rover - Surfs Up, Framed Chromaluxe, Various Edition Sizes
ABOUT NICK VEASEY
(B. 1962) British
A man with x-ray vision, Nick Veasey creates art that shows what it is really like inside.
Nick’s work with radiographic imaging equipment takes the x-ray to another level. Everyday objects are transformed from the banal to the beguiling and the layers and make-up of natural items are shown in fantastic detail.
These works are a classic example of the fusion between art and science. The results transcend classification as photographs, having the gravitas to motivate science institutions and art galleries to acquire the artworks. The Victoria and Albert Museum in London have recently added his work to the British National Collection of Photography. Nick regularly exhibits at fine art galleries the world over. The ethereal and fascinating works have collected a host of International awards.
In today’s world that is obsessed with ‘image’, superficiality and artifice, Veasey counters such insubstantial diversions by delving inside and discovering what things are really made of. Metaphors for the images are many and varied. Their context is very relevant in today’s society with the prevalence of surveillance and the use of x-ray technology for security.
Creating art with radiation is complex and dangerous but the results continually inspire Nick to keep experimenting.
The subjects of his attention are manifold. Flora and fauna, DJ Decks, ordinary objects such as shoes, a typewriter and even a classic Morris Mini. Mainly, whatever surrounds us and is tangible. Although working with the manifest, he achieves to uncover the invisible. Veasey’s x-rays penetrate the surface and take us on a journey into a world otherwise hidden and unseen. The inner life of objects and organisms is revealed, the surface replaced with transparency, the inside becomes the outside – what is left is the form the aesthetics of form the inner beauty.